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Scheherazade Tillet

Scheherazade Tillet is a photographer, curator, and feminist activist who explores the themes of trauma, healing, pleasure, and play. Blending photojournalism, documentary style, archive and autobiography, and a collaborative social engaged practice, Scheherazade photographs those liminal spaces - "the betwixt and between" -  shaped by her itinerant black girlhood in order to capture instances in which black freedom dreams are achieved, even if just for a moment, and acts as a blueprints for our collective futures.  

 

Born in Boston, growing up in Port-of-Spain, Trinidad and Newark, NJ, and now working in Chicago, Scheherazade actively embeds herself in the communities with whom she collaborates as well as empowers her subjects by encouraging them to photograph themselves or help shape her gaze.  Currently, Scheherazade is the inaugural artist in residence for “Pictures and Progress,” a joint initiative between Shine Portrait Studio and New Arts Justice. Her first solo show “Let Her Be Born & Handled Warmly: A Retrospective on Black GirlHood” to be exhibited in Newark in Spring 2021.

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All images from the series below are Archival Pigment Prints, Dimensions Variable

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PHOTOGRAPHY

Misty Eyed: 

Sites Of My Childhood

2020

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Misty Eyed: Sites Of My Childhood revisits sites of Scheherazade's itinerant childhood here in Newark, NJ and is influenced by her travels in Boston, Chicago, and Trinidad.

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This gallery will be updated in the spring of 2020.

Prom Send-Off:

A Rite of Passage for Black Girls

2018 - 2020

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This new body of photographic work documents how African-American girls in Chicago celebrate the dynamism of their identities and the communities from which they come. The event much like a quinceañeras are for Latinx communities, “the prom send-off” is a complex, year-long rite of passage for black girls, their friends, and families that renders proms as more than a party or fashion statement.  Through this ritual, proms are communal spaces of self-expression, inimitable style, and coming into adulthood.

My Family Chair

2018 - 2020

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  1. Cedricka Turner

    Dancer

  2. Angelina Divine Cofer

    Poet

  3. Shukurah Floyd

    Visual Artist

  4. Amaya Sam

    Rapper

  5. Ivy Mitchell and Kassia Williams

    Poet and Dancer

  6. Aliyah Young

    Spiritual Healer

  7. Amaya Sam

    Rapper

  8. Anaya Fraizer

    Poet

  9. Angelina Cofer

    Poet and Photographer

  10. Asha Andrews

    Writer

  11. Asia Willis

    Dancer

  12. Brooklyn Starks

    Visual Artist

  13. Imani Williams

    Poet

  14. Jada Thompson

    Visual Artist and Poet

  15. Jermiah Fearn

    Glassblower

  16. Kassia Williams

    Dancer and Photographer

  17. Keonta Ford

    Dancer

  18. Sanniah Robinson

    Visual Artist

  19. Sydney Ross

    Dancer

  20. Tonavyia Turner

    Dancer

Scheherazade Tillet takes up Huey Newton’s 1967 iconic image while also re-staging and updating this familiar object from her childhood home -- the wicker chair -- with African-American teen girls. Featuring prom dress and wedding dress materials as the backdrop, this series features girls and young women from Tillet’s A Long Walk Home’s Girl/Friends Leadership Institute which empowers black girls from Chicago to use art to advocate for themselves, other girls, and for racial and gender justice in their schools, communities, and beyond.  

Little Girl Blue: A Sojourn to Nina Simone's Childhood Home 

2019

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In August 2018 photographer Scheherazade Tillet visited the childhood home of Nina Simone in Tryon, North Carolina. ​Consistent with Tillet’s own practice as an artist-activist, she has literally gone to the roots seeking clues for Simone’s spirit and genius. Her photographs are a visual reimagining of Simone as a child in her home, at play, making music, or in the artists words “laying in bed and gazing out the window - perhaps at the family church down the road.”

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This series was featured in Gagosian Quarterly, Spring 2019 issue.

Black Girls on Good Friday 2016

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    Inspired by Russel Lee Negro Boys on Easter Sunday Chicago, Southside 1941

Story of a Rape Survivor, SOARS​

1998-2013

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Inspired by Russel Lee Negro Boys on Easter Sunday Chicago, Southside 1941

Almost twenty years before #MeToo, photographer Scheherazade Tillet asked her older Salamishah, if she could actively participate in her recovery process by photo documenting her different stages of healing. In turn, Salamishah opened a window onto her sites of trauma and her newfound safe spaces. Over the span of fifteen years, she photographed Salamishah grappling with her sexuality, eating disorders, and the reclaiming of her spirituality and body, she and her sister found healing pathways for herself and others by bringing those images to stage in the performance, STORY OF A RAPE SURVIVOR (SOARS).

Murcurapo Girls R.C.

Primary School

2007 - 2010

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Murcurapo Girls R.C.

Primary School

2020

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When Scheherazade moved to Trinidad and Tobago in 1985, she attended Mucurapo Girls R.C., a primary school at which Scheherazade’s grandparents married, her great grandmother Margaret Ramdoo was a caregiver and raised Scheherazade’s father who lived and attended the school. Scheherazade’s grandparents married at the school. As an adult, Scheherazade has only returned to Trinidad and Tobago three times (2007, 2010, 2020), and during each visit she has photographed the school and its students.

Kiddies Carnival

Trinidad & Tobago 2020

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When Scheherazade first moved to Trinidad and Tobago, it was during the country's biggest fete of the year, Carnival. As the festival evolves and becomes more commercialized and Americanized, Kiddie’s Carnival remains an accessible and affordable ritual open to all.  As a child, Scheherazade “played mas”; as an adult, she has been struck by how predominately female it remains as well as the performances enables a sense of freedom not typically given to children.

SOCIAL PRACTICE

Picturing Black Girlhood

2016

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Picturing Black Girlhood features eighteen photographers who focus on the multifaceted identities and important contributions of Black girls in the United States. Inspired by the powerful legacies of Black women in the field of photography, including interventions by photo-historian/curator Deborah Willis and artist Carrie Mae Weems, this exhibition explores how images—self-portraits, staged shots, and social documentary—are archives and arsenals of resistance for Black girls as they define themselves, negotiate public/private spaces, and cultivate sites of belonging. The opening features an artists' panel moderated by distinguished Columbia University art historian and Professor Kellie Jones, photographers Sheila Pree Bright, Jamaica Gilmer, and Scheherazade Tillet (photographer/curator); youth photographers Lorenshay Hamilton and Nia Brown; visual artist Tatyana Fazlalizadeh and cultural historian Dr Nazeera Wright. Music by fourteen-year-old DJ Beauty and the Beatz, and girl play by Lifetime Television’s World champion FloydLittle’s Double Dutch Inc.

Scheherazade Tillet

Teenage Students' Photographs

2009 - 2020

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Activism

2019

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  1. March for Missing _ Murdered Indigenous
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  3. MuteRKellyProtest-2018-Junfu Han, Detroi

© 2024 SHINE Portrait Studio 

© All photographs copyright SHINE Portrait Studio. For credits on individual pictures please email us directly.

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